The Joyners in 3D
Design and lettering of a hardcover graphic novel produced in anaglyph 3D, with die-cut cover, and 3D glasses. Illustration by Dave Marquez.
For this Sean Parker-founded startup, I designed a microsite to aid in the efforts of recruiting engineers.
One in a series of images created for Netflix’s social media accounts, to promote newly arrived movies including When Harry Met Sally, Fantasia, Election, and Anchorman 2.
CLIENT: Vault Comics
Complete identity for a comic book publisher, including logo, business cards, letterhead, and a cover template for their line of comics.
As the Design Lead for an e-commerce startup I did a whole bunch of stuff – visual, UI, and UX design for web, print design, and art directing photo shoots.
I designed the internal notification system, alerting users to messages and invitations from other users. I developed both the visual design, from iconography to the drop-down, as well as the UI – displaying an amended preview of invitations with the ability to discard invitations directly from the drop-down.
Heavy on the Vine
CLIENT: Ryan Montbleau Band
Design for and album packaged in a tri-fold digipak with spot varnish.
Imagine being able to talk with your deceased or emotionally absent mom whenever you want. The Momulator – an emulated mom – is a chat bot app that allows the user to get motherly advice regardless of how alive one's mom actually is.
Art direction and design for a hardcover graphic novel depicting the first English adaptation of creator Shotaro Ishinomori's classic Cyborg 009. Illustration by Marcus To.
An acetate dust jacket and vellum overlays peel away to show multiple layers. Nominated for a Harvey Award for Excellence in Presentation.
I Feel Relatively Neutral About New York
CLIENT: Chronicle Books
Interior book design for I Feel Relatively Neutral About New York.
The Art of Troma
CLIENT: Dynamite Entertainment
This hardcover, cloth-bound, oversized book with gold foil stamping chronicles decades of work and behind-the-scenes material from the movie studio who brought the world The Toxic Avenger.
Two in a larger series of graphics for Intel.
My Dog Ate My Nobel Prize
CLIENT: Soft Skull Press
For this book I handled both the design and illustration work, inside and out. The New Yorker recognized this as part of their Well Titled, Well Covered series.
As a graphic designer, there’s a certain pressure that comes with designing your own wedding invitation. So a 3’ tall, screenprinted poster with gold ink and Easter egg barcodes seemed the way to go. We also had ham soda available for guests, so a custom soda label was also needed.
Every year I design and mail some rather wonderful holiday cards. The best way to get one is to hire me.